Discland
edited by Jonathan Doyle
Cloverfield [BLU-RAY] (Paramount Home Entertainment, 6.3.2008) Disguised under deliberately goofy, yet deliciously edible-sounding, aliases such as Cheese and Slusho, Matt Reeves' Cloverfield was produced and rushed into theaters under an equally appetizing shroud of secrecy. From last year's incredibly elusive Super Bowl ad to the film's viral marketing campaign, Cloverfield had everybody scratching their heads and drooling in anticipation. Aside from the as-yet untitled title and the Blair Witch-ian visual style, the film's biggest appeal was the enigmatic creature who was last (un)seen hurling the decapitated head of the Statue of Liberty onto the crowded streets of New York City. All we knew about the mysterious beast was that it was big and angry. Now that the highy-anticipated project has come and gone, one question has fortunately been answered: Cloverfield was a major success. (continued)

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Defiance

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Cargo 200

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Silent Light

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After Dark Horrorfest 2009

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Variety's Todd McCarthy is the

Variety's Todd McCarthy is the first big gun to weigh in on Mr. and Mrs. Smith (20th Century Fox, 6.10), and...let's see, the opening sentence says that "marital therapy acquires life-or-death ramifications [in this] exhaustingly elaborate romantic fantasy actioner." Uh-oh. "Built on the cutesy premise that a great-looking husband and wife are paid killers without the other knowing about it, the at-least $110 million two-hander pirouettes entirely on the script's whimsical approach to serious business and the charm generated by leads Brad Pitt and Angelina Jolie. But it doesn't take long for the souffle to fall." Yikes. McCarthy adds that "this is one of those films for which viewers willing to buy into the premise might happily go along for the ride...[but] for those who find it resistible, if not preposterous, Mr. & Mrs. Smith proves a very long haul indeed. The sheer weight and volume of mayhem toward the end is numbing and meaningless, and two hours is a good 25 minutes more than such a frail conceit can sustain." For what it's worth, a female journo (and non-critic) who's seen it says "there's a ton of heat between Brad and Angie, it gives Brad a chance to be very cute and funny, Angie looks less likely to transmit angst in this role than in any of her other movies, and as long as you don't attempt to think about the plot at all, it's lots of fun."

Posted by Jeffrey Wells on May 31, 2005 at 8:58 AM

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