Discland
edited by Jonathan Doyle
Cloverfield [BLU-RAY] (Paramount Home Entertainment, 6.3.2008) Disguised under deliberately goofy, yet deliciously edible-sounding, aliases such as Cheese and Slusho, Matt Reeves' Cloverfield was produced and rushed into theaters under an equally appetizing shroud of secrecy. From last year's incredibly elusive Super Bowl ad to the film's viral marketing campaign, Cloverfield had everybody scratching their heads and drooling in anticipation. Aside from the as-yet untitled title and the Blair Witch-ian visual style, the film's biggest appeal was the enigmatic creature who was last (un)seen hurling the decapitated head of the Statue of Liberty onto the crowded streets of New York City. All we knew about the mysterious beast was that it was big and angry. Now that the highy-anticipated project has come and gone, one question has fortunately been answered: Cloverfield was a major success. (continued)

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Defiance

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Cargo 200

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Silent Light

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After Dark Horrorfest 2009

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Of Time and the City




Why would a snarling Lionheart

Why would a snarling Lionheart like Hunter S. Thompson end it all with a bullet? I feel for his family, and especially the guy's pain and sorrow, but how could anyone not reflect upon the equation of alcohol, guns and despair upon hearing the news? Obviously Dr. Gonzo didn't pull the trigger out of a sense of ecstasy over things, but there was a special, thundering energy that pushed him up sheer craggy cliffs and over the top of many plateaus, and throwing that spirit away, even if only a remnant of it had survived at the end of his 67 years on the planet, was harsh and extreme and not the thing to do. Not for the author of Fear and Loathing in Las Vegas, which I used to carry around with me like a Bible. But then I didn't get Ernest Hemingway's suicide either, or Abbie Hoffman's.

Posted by Jeffrey Wells on February 21, 2005 at 7:18 AM

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